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Oct 22nd
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... upstairs who accidentally becomes involved in the cell’s activities. Jerome provides the play’s satirical angle as he suggests that other burgs would be more effectively terrorized than blase New York ...
2. REVIEW: 'Who’s Afraid of Virginia Woolf' indeed?
(Entertainment/New York Theater)
... while his wife rages. Usually, the character traces a worm-is-turning trajectory over the play’s three acts. Not here. Letts gives a sense that George always hangs on to the reins in his love/hate relationship ...
... play’s most complex character is the worthless son, Ben, who initially seems to be merely a helpless individual until he turns malevolent with disappointment over his father’s intentions. David Wilson ...
4. REVIEW: ‘Cyrano de Bergerac’ returns to Broadway
(Entertainment/New York Theater)
... sequence or the autumnal conclusion that one recalls most about a “Cyrano de Bergerac,” but here it’s whenever these two actors meet. For no apparent reason, all of the play’s 17th-century French characters ...
5. REVIEW: ‘Grace' rewinds the mills of God
(Entertainment/New York Theater)
... destiny of the opening scene might not be so inevitable. Perhaps the play’s fourth character, an elderly pest exterminator named Karl (Ed Asner), a crusty atheist who witnessed World War II’s horrors, ...
... debut in “If There Is I Haven’t Found It Yet,” a new drama about a troubled British family that literally proves to be all wet. During the 90-minute play’s climax, a tidal surge of overflowing emotions ...
... a relationship that goes beyond their carpooling duties. Contending with midlife crisis, Sonia expresses her woes in monologues between the play’s series of short scenes. This slight, rueful comedy, ...
... viewers, if not for several of the play’s characters. It is curious to see that the show is directed by Moises Kaufman, who usually stages more adventurous works like “Bengal Tiger at the Baghdad Zoo” ...
9. REVIEW: ‘Cock’ fights about desire
(Entertainment/New York Theater)
... actors do well by the play’s shifting moods. Furious bursts of dialogue contrast with long, agonizing pauses in Bartlett’s sharply-composed text, which offers different reasons for John’s indecisive ways ...
... office, while being overlooked can just as quickly end a play’s run. (As soon as the Tony nominations were announced, the producers of the play “Seminar” and "Magic/Bird" which came up empty, posted a ...
... oblivious Danny’s sudden yen to improve his life seem rather poignant. The play’s simple dramatic arc is cluttered by extraneous characters and incidents – like a midnight fire in the hills outside ...
12. REVIEW: Visit ‘Clybourne Park’
(Entertainment/New York Theater)
... gentrifying plans do not sit well with the local citizen’s group – as represented by a black couple – who argue their differences with the newcomers with increasing rancor. The mood of the play’s first ...
13. REVIEW: ‘4000 Miles’ goes the distance
(Entertainment/New York Theater)
... and the 100-minute play’s ten short scenes see him try to rekindle his romance with an ex-girlfriend (Zoe Winters) and otherwise process his grief. Among Leo’s experiences is a droll late night encounter ...
14. REVIEW: ‘The Best Man’ doesn’t always win
(Entertainment/New York Theater)
... production of Vidal’s 1960 comedy-drama opened on Sunday. Half a century has passed since the original (a previous revival appeared in 2000), and while the play’s vintage conventions and clothes seem ...
... quite a jam. Although the show’s unsettled mood vaguely suggests William Inge’s Midwestern works of the ‘50s, the unsatisfying second act doesn’t pay off. What’s worse, for all of the play’s intended ...
16. REVIEW: ‘Venus in Fur’ still thrills
(Entertainment/New York Theater)
... with an authentic Victorian ambiance that suits the play’s imaginative journey into 19th-century eroticism. “Venus in Fur” continues at the Lyceum Theatre, 149 W. 45th St., New York. Call (212) 239-6200 ...
... of Howe’s story. Although a twilight of senility and death lurks around the play’s edges, Forsman and his actors mostly choose to portray the Churches and their daughter simply as delightful people. Picturesquely ...
18. REVIEW: ‘The Lady from Dubuque’ returns
(Entertainment/New York Theater)
... David Esbjornson's able production cannot clear up the mysteries lurking within the play’s latter parts. But then, Albee’s delicate balancing act of meaningful themes is not meant to be explicated so much ...
19. REVIEW: 'Tribes' studies communication
(Entertainment/New York Theater)
... the audience, such fleeting losses serve to signify the play’s themes. The staging and Daniel Kluger’s sound design craftily reinforce the issue. Designer Scott Pask furnishes the stage with many homey ...
20. REVIEW: ‘Galileo’ keeps it cool
(Entertainment/New York Theater)
... Oana Botez-Ban’s quasi-period costumes add some visual warmth to the play’s many scenes. Set designer Adrianne Lobel spins large spheres into the air or on the sides of the auditorium, with other discs ...
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