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Wednesday
Jul 28th

Gay partners cope with life and death situations in ‘Next Fall’

Weepy new Broadway comedy-drama mixes trite substance with suds

BY MICHAEL SOMMERS
NEWJERSEYNEWSROOM.COM
BROADWAY REVIEW

"Next Fall" enjoyed favorable reviews and an extended off-Broadway run last summer at Playwrights Horizons. Now under the aegis of Elton John and David Furnish among others, Geoffrey Nauffts' new play has moved a few blocks to Broadway, where it opened Thursday at the Helen Hayes Theatre.

From the sniffles pervading the auditorium, apparently some people are moved deeply by this comedy-drama-weeper. Not me. At least not in the way the playwright intends. Frankly I could scarcely wait to move myself out of the theater and into a martini.

The modest production trimly directed by Sheryl Kaller is all right as far as the acting and staging goes.

The play, however, is shamefully derivative claptrap regarding an unlikely gay couple. It reeks with such tired business as clueless, bigoted parents, the obligatory ditsy-though-wise gal pal and even a (non-AIDS) sickroom confrontation.

This is meant to be a cutting-edge love story of today? Really?

A waiting room in a Manhattan hospital is the key location, where friends and family await news about Luke (Patrick Huesinger), seriously injured and comatose after a taxi crash. From that critical point the play switches back and forth over the previous five years.

The next scene shows the first meeting between cute actor-waiter Luke and Adam (Patrick Breen), a nice if neurotic teacher some 15 years his senior. Luke is a sunny Christian soul so shadowed by his gay being that he prays after having sex. Needy Adam is a snarky non-believer and a mild hypochondriac. Their improbable opposites-attract romance somehow sticks and so they soon move in together.

As the years fly by, Adam is irked by Luke's inability to tell his long-divorced and distant parents Butch (Cotter Smith) and Arlene (Connie Ray) that he's gay and sharing a partnership with - oh, please, life's too short: Let's not dish out more of this moldy stew except to note that another gay Bible-toter (Sean Dugan) is muddled among Nauffts' elements as well as the couple's best girlfriend (Maddie Corman), owner of a candle shop and several yoga mats.

His stale, hackneyed contents aside, the writer ably crafts sitcom-level material such as the "Will & Grace" style bit when Luke frantically "de-gays" the couple's apartment in advance of a parental visit. But to shore up his teary story's message, Nauffts lazily resorts to a brazen lifting from a 1938 classic regarding the importance of savoring life as it happens. ("I keep thinking about that play Luke was in ... that ‘Our Town'," says his mother by way of introduction to the paraphrase.) Let's hope Thornton Wilder's estate claims a portion of Nauffts' royalties.

Of course, a terribly conventional piece of fudge like "Next Fall" is just the sort of play Wilder was out to supersede 70 years ago. It will be sad indeed if such trash gets taken seriously on Broadway today.

"Next Fall" continues an open-end run at the Helen Hayes Theatre, 240 W. 44th St., New York. Call (212) 239-6200 or visit www.nextfallbroadway.com.

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Comments (2)
2 Friday, 12 March 2010 17:53
Gary Alan
Obviously this new play will move many, but also provoke a few, sending them to the bar to medicate the feelings, as it pushes the right buttons. This is a terrific, well-written, intelligent play and from many of the reactions, it's certainly doing what it should - make people talk about faith, beliefs and relationships. Sure, there are no big stars, but there are big ideas presented in a way that everyone can embrace. Let's hope it finds an audience.
1 Friday, 12 March 2010 00:53
Timothy Grey
thank you so much. After seeing the performance two nights ago with a friend we were both in shock at how this below level sitcom was getting such a frenzied audience reaction. It's neither funny, nor moving. And if your central conflict is a sophomoric analysis of christian values ("wait you can kill and still go to heaven if you believe in god?"), then for God's sake distract us with some other insights. It's really hard to imagine how these two guys (who essentially argue in every scene) would stay together. But the biggest tragedy was the review in the nytimes, (only because it will have so much influence), where Brantley shows he is a man who's tastes are coming from 20 years ago. Anyone who saw THE PRIDE only weeks earlier, will have seen an infinitely better acted show. Thank you for being one of the reviewers who can see through the Emperor's New Clothes.

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