Different sorts of laughs arise from a number of verbal exchanges via inept translators and the constantly funny mangling of both languages. Subtitles clearly flashing above the actors’ heads contribute another level of humor.
These projections, fluent sets handsomely designed by David Korins that glide by on a double revolve, some peppy music and admirable comic acting all smoothly mesh in Silverman’s keen production.
Wilmes depicts his good-guy Daniel with a vocal flutter that suggests a vulnerable nature. Contrasting as the cool Xi Yan, Lim is altogether lovely. An exuberant Pucci and the remainder of the ensemble make the most of their characters.
The maker of seriously sexy dramas like “M. Butterfly” and historical plays like “Golden Child,” Hwang achieves in “Chinglish” a perceptive synthesis of social satire and significant cultural clashing. Hwang’s thoughtful comedy will appeal to viewers craving laughter that is fresh in both senses of the word.
“Chinglish” continues at the Longacre Theatre, 220 W. 47th St., New York. Call (212) 239-6200 or visit www.chinglishbroadway.com.
ALSO BY MICHAEL SOMMERS
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